The phenomenon of racialization is an assault on human aliveness
Introduction
A number of quintessential components make up art or architectural form. To bring out the real essence of artwork, be it a painting, a theatrical performance, a colossal building, or some popular film, it is necessary to achieve a careful integration of these components. One such inseparable component of an art form is “aliveness”. It represents the maestro of the creator in enlivening, or simply adding “life” to an inanimate art form. The “aliveness” of a piece of art depends exclusively on the transformative skills of the artist. While virtually rendering life to art, the artist should make sure that the enlivened artwork connects not only with his mind and soul, but also interweaves with the psyche of the spectators. The success of this form of art lies in the fact that the viewers should be able to transport themselves to a virtual world and feel their existence within the spectacle of the art.
Many authors, artists and research workers have observed some misinterpreted connotations of the term “aliveness”. On numerous occasions, both the artists and the spectators do not clearly understand the difference between the terms “aliveness” and “life”. In its true essence, aliveness is the relational quality of life
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